It is not the notes themselves but the intervals between them that constitute a melody. - Ralph Kirkpatrick

Music CD


2010, January 20

BWV 55, BWV 82 and arias

Two Bach cantatas and a selection of arias by tenor Ian Bostridge.

I am listening to the Europa Galante play Bach cantatas, arias and sinfonias. I was not sure about buying this CD but I am so glad I did. It is superb. I am listening to it again and again.

 

 

Tenor: Ian Bostridge
Conductor: Fabio Biondi
Ensemble: Europa Galante
Recorded: 03/2000
San Giovanni Abbey, Parma, Italy
Virgin Classics Veritas: 45420


YouTube: Recording the CD

 

The marvelous voice of tenor Ian Bostridge could not be more perfect for this program of Bach cantatas and arias. Like Hans Hotter before him, Bostridge's voice has a unique ethereal quality, a hollow distance that identifies less with the character and more the spirit of the subject.
The complete review from John Greene, ClassicsToday.com

In BWV 82 … in addition to the transposition up to E minor for soprano tessitura (here an octave lower for Bostridge's tenor) from Bach's 1731 version, they've also opted for that 1731 use of a flute instead of the oboe. Bach himself recycled the piece four or five times after the original 1727, always with oboe except in 1731.
From the discussion on Bach-Cantatas.com

2009, December 29

Christmas Oratorio BWV 248

Recordings for the season.

 

At age 50, Bach wrote a series of cantatas for the Christmas season which are combined into the Christmas Oratorio.
Part I:      Christmas Day
Part II:     Day after Christmas
Part III:    Third Day of Christmas
Part IV:    New Years
Part V:     Sunday after New Years
Part VI:    Feast of the Epiphany, January 6

 

 


Recordings I have:

Conductor: Gerhard Schmidt-Gaden
Tölz Boys' Choir, Collegium Aureum
Soprano: Hans Buchhierl
Alto: Andreas Stein
Tenor: Theo Altmeyer
Bass: Barry McDaniel
Harmonia Mundi
1973


Conductor: René Jacobs
Berlin RIAS Chamber Chorus, Academy for Ancient Music Berlin
Soprano: Dorothea Röschmann
CounterTenor: Andreas Scholl
Baritone: Werner Güra
Bass: Klaus Häger
Harmonia Mundi 2901630
1997

Sound samples on Amazon


Conductor: Harry Christophers
The Sixteen, The Symphony of Harmony and Invention
Soprano: Libby Crabtree
Soprano: Lynda Russell
Mezzo Soprano: Catherine Wyn-Rogers
Tenor: Mark Padmore
Bass: Michael George
Label: Brilliant#: 93102-128, 129
1993


Jan Willem de Vriend: conductor
Combattimento Consort
Daniel Reuss: choirmaster
Cappella Amsterdam
Malin Hartelius: soprano
Kristina Hammarström: alto
Jörg Dürmüller: tenor
Detlef Roth: bass
Challenge 76607
10/09/2007


Karl Richter: conductor
Munich Bach Orchestra
Munich Bach Choir
Gundula Janowitz: soprano
Christa Ludwig: alto
Fritz Wunderlich: tenor
Franz Crass: bass
Deutsche Grammophon 427236
Recorded: 1965


Conductor: John Eliot Gardiner
English Baroque Soloists / Monteverdi Choir
Nancy Argenta: Soprano
Anne Sofie von Otter: Mezzo Soprano
Ruth Holton: Soprano
Katie Pringle: Soprano
Bernarda Fink: Alto
Anthony Rolfe Johnson: Tenor
Hans-Peter Blochwitz: Tenor
Olaf Bär: Bass
Archiv Produktion Dg: 423232
Recorded: 1987


Conductor: Phillippe Herreweghe
Collegium Vocale, Ghent
Barbara Schlick: Soprano
Michael Chance: Alto
Howard Crook: Tenor
Peter Kooy: Bass
Virgin Veritas 7777 59530 2
Recorded: 1989


Recordings I don't have:

Conductor: Martin Flämig
Dresden Kreuz Choir, Dresden Philharmonic Orchestra
Arleen Augér: Soprano
Annelies Burmeister: Mezzo Soprano
Peter Schreier: Tenor
Theo Adam: Bass
Berlin Classics 183892
Recorded: 10/2006


Director: Nicholas Harnoncourt
Concentus Musicus Wien & the Arnold Schoenberg Chor
Christine Schafer: soprano
Bernarda Fink: mezzo soprano
Werner Gura: tenor
Gerald Finley: bass
Christian Gerthaher, bass
12/2006

2009, October 26

Once again, Annegret Siedel

Annegret Siedel leads the Bell'Arte Salzburg in a program of Musical Vespers, another very special CD. Thank you, Ms. Siedel and all involved.

 

Andreas Hofer, Giovanni Valentini, Johann Baptist Dolar, H.I.F. Biber
Annegret Siedel, Bell'Arte Salzburg
Soprano: Monika Mauch
Mezzo soprano: Tiina Zahn
Alto: Henning Voss
Tenor: Henning Kaiser
Bass: Wolf Matthias Friedrich
Cantate 58030
Recorded Himmelfahrtskirche, Tading, Germany 2006

 

 

  1. Laudate pueri Dominum
  2. Dixit Dominus by Andreas Hofer
  3. Confitebor tibi by Andreas Hofer
  4. Beatus vir by Andreas Hofer
  5. Laudate Pueri by Andreas Hofer
  6. Laudate Dominum by Andreas Hofer
  7. Cum iucunditate by Andreas Hofer
  8. Canzon a tre in g by Giovanni Valentini
  9. Magnificat by Andreas Hofer
  10. Canzona a tre in g by Giovanni Valentini
  11. Salve regina by Johann Baptist Dolar
  12. Sonata in F major by Heinrich Ignaz Biber
  13. Virgo prudentissima by Andreas Hofer

 

This music captures the mood of late afternoon, of the day drawing to a close; the bass parts are warm and ever-present, but not overpowering. The soprano voice is perfect for the venue, not operatic at all.

Since all of the Hofer works are first recordings, this is a valuable addition to recordings of the post-1648 Salzburg era. - Fanfare,  J.F. Weber

Important for everyone interested in early to mid-baroque northern European church music. See my post about a previous recording.

CDs by Bell'Arte Salzburg

Bell'Arte Salzburg - Ensemble for Ancient Music

Review of ensemble on Goldberg Magazine

Review from Fanfare by J.F. Weber

2009, October 25

Baroque music on CD

I have a few recordings of some renaissance and some baroque music before Bach.

 

J.S. Bach represented the height, the end of a period; he developed and enlarged the traditions that were created before him. Here is a list of the Baroque recordings I have. I have not included composers who, like Handel, were Bach's contemporaries. Many of these recordings are currently available, some of them as re-issues, some by other performers. All are worth listening to.

 

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